NYT x Dylan Kelly
Dylan Kelly’s spotlight in The New York Times marked a major milestone in his rise as a fresh and influential voice in fashion media. Through his popular “Walk With Me” videos, Kelly brings fashion history, current trends, and industry news to life in a way that feels informative, entertaining, and accessible. Rather than presenting fashion as something reserved for insiders, he connects with audiences through a natural, conversational approach that makes even complex fashion topics easy to understand. His recognition by The New York Times reflects the growing impact of his work and his ability to bring a new generation into the conversation surrounding fashion, culture, and style.
PAPER MAGAZINE - COOLEST PERSON IN THE ROOM
Following four and a half years covering fashion, culture, and social at Hypebeast, Dylan Kelly was featured by PAPER as its “Coolest Person in the Room” following his transition from editor to full-time creator. The feature spotlighted his career evolution, the growth of his “Walk With Me” series, and the momentum behind his expanding presence within the fashion and creator space.
VICTORIA’S SECRET FASHION SHOW — BACKSTAGE CORRESPONDENT
Dylan joined the 2025 Victoria’s Secret Fashion Show as a backstage correspondent, interviewing talent and capturing behind-the-scenes moments from one of fashion’s most recognizable global events. The role expanded his on-camera presence within fashion media, bringing his editorial perspective and personality directly backstage to the Victoria’s Secret audience.
ART BASEL AWARDS - RED CARPET HOST
Dylan hosted the red carpet for the inaugural Art Basel Awards, marking his first-ever carpet hosting role. Created to recognize leading voices shaping contemporary art and culture, the evening brought together artists, innovators, and industry visionaries from around the world. As an Art Basel partner, Dylan interviewed honorees and cultural figures throughout the night, expanding his presence beyond fashion into art, culture, and live event hosting.